By Sally Jenkins
RIO DE JANEIRO — Just over there, the dolphin-backed Michael Phelps glides through another heat. Over here, a lone ramshackle favela house practically leans against the Olympic Park where Phelps swims. Just over there, Simone Biles does a breathtaking handspring. Over here, the sodium stadium lights glint on the scarred hardpan that was once a vibrant community before it was bulldozed to make room for the Rio Games.
Just over there, the International Broadcast Center rises like a monolith, while over here it casts a shadow over the listing sheet metal roof of Delmo de Oliveira’s favela house, which sits directly across the parking lot. Just over there, Katie Ledecky lashes through the water, but over here there is no crowd noise, just a young man playing guitar for a handful of residents who refused to be evicted even as the Games begin.
Just over there, International Olympic Committee members enjoy prime seating and dine on a per diem of $450 a day, while over here, the Brazilian minimum wage amounts to $228 a month, and nobody has a ticket to the Olympics, even though it’s just 50 yards away, “If they didn’t want us to stay here, I don’t imagine they’ll invite us inside,” says Maria Da Penha Macena, 51.
The extent to which the Olympic “movement” has become a destructive force, driven by an officialdom whose signature is indifference, can be seen just outside the Olympic Park fences, and I mean just outside. The Vila Autodromo favela was once a working-class neighborhood of 3,000 residents curling around a lagoon and the perimeter of the park. Now all that’s left is Olympic parking lot tarmac, raw dirt and 20 tiny white utilitarian cottages, built grudgingly by the city as a concession to a core of families who refused to leave even as their homes were demolished. For a while, some of them lived in converted shipping containers. One of the new cottages bears a sign: “Museum of the Evicted,” it reads.